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Beautifully illustrated, easy-to-follow guide features 32-page color section demonstrating use of colors in landscapes and showing development of 7 varied landscape paintings by brilliant landscapist George Cherepov. Other sections offer expert advice about basic techniques, composition, lighting, special problems, more. 63 color and 54 black-and-white illustrations. Introduction.
Beautifully illustrated, easy-to-follow guide features 32-page color section demonstrating use of colors in landscapes and showing development of 7 varied landscape paintings by brilliant landscapist George Cherepov.
Handsomely illustrated, easy-to-follow beginner's guide provides instructions for painting the head, torso, arm, and leg, as well as step-by-step demonstrations for painting seven female figures. Additional advice on planning the painting, lighting the figure, sketching with oils, and figure drawing with pencil, charcoal, and chalk.
Step 3. The deep shadow on the chest, shoulder, and arm is darkened with burnt
umber, raw sienna, cadmium orange, and white. Smaller strokes of this mixture
indicate the shadow beneath the opposite arm and the shadow that runs from the
...
Excellent, clearly written how-to guide for training powers of observation, judging proportions, assessing values, plus valuable suggestions for use of drawing media. 180 line illustrations and halftones.
Step 7. Now the artist moves back over the entire picture with a sharply pointed
3B pencil to add crisp touches of detail, and with a blunt-tipped 4B pencil to
darken the tones. Fresh clusters of parallel strokes darken the foliage. The
pointed ...
Beautifully illustrated guide offers portrait painters a wealth of detailed, practical advice and valuable insights on how to handle oil paint. Discusses drying time and basic techniques; planning, composing and lighting the portrait; oil sketching and drawing with pencil, charcoal, and chalk. Generously enhanced with over 120 illustrations, including 57 in full color.
Step 1. The canvas is toned with a rag that carries raw umber diluted with
turpentine. A clean comer of the rag wipes out the lighted area of the face, neck,
shoulder, and chest. Then the preliminary sketch is completed with raw umber.