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Sarmada

'This is a very Syrian novel, illustrating sectarian co-existence and providing glimpses of the country's mystical and literary wonders. Political history is integrated smoothly into the narrative. Azzam's criticism of dictatorship is scathingly precise.' The Independent'The novel's gaze reaches toward an understanding of what Syria will need to grapple with in order to bring about a true Syrian Spring.' The New YorkerThe town of Sarmada, Arabic for 'perpetuate' or 'the eternally-not-changed', is the novel's fictitious setting. Women are the protagonists of this story, that spans several generations and extends from Syria to Paris and back again. Sarmada is set in the Druze area and is a declaration of love for tolerance and for the peaceful coexistence of the many religious groups that live there in close proximity. The Druze baptise their children and celebrate Christian holidays; however, the priests regularly collect money to build houses for Muslims and Druze alike.Myths, communists, nationalists, murder, illicit love, superstition, erotic trees and women's breasts make up the tapestry of this beguiling and enchanting novel. Sarmada is direct, ruthless and full of fire, full of irony and satire all told in a language and voice that is entirely unique. 'This is a very Syrian novel, illustrating sectarian co-existence and providing glimpses of the country's mystical and literary wonders. Political history is integrated smoothly into the narrative. Azzam's criticism of dictatorship is scathingly precise.' [The Independent]. 'The novel's gaze reaches toward an understanding of what Syria will need to grapple with in order to bring about a true Syrian Spring.' [The New Yorker] The town of Sarmada, Arabic for 'perpetuate' or 'the eternally-not-changed', is the novel's fictitious setting. Women are the protagonists of this story, that spans several generations and extends from Syria to Paris and back again. Sarmada is set in the Druze area and is a declaration of love for tolerance and for the peaceful coexistence of the many religious groups that live there in close proximity. The Druze baptise their children and celebrate Christian holidays; however, the priests regularly collect money to build houses for Muslims and Druze alike. Myths, communists, nationalists, murder, illicit love, superstition, erotic trees and women's breasts make up the tapestry of this beguiling and enchanting novel. Sarmada is direct, ruthless and full of fire, full of irony and satire all told in a language and voice that is entirely unique.

It was written by a Yemeni poet called Abdullah alHazred – which, perhaps, is a
corruption of Hadramaut – who wrote it after many years of solitude spent in the
desert hunting the few powerful, if ostracised, genies and demons left on earth.
They, the genies and demons, had been around a long time back before God
decided to cast them out and replace them with humankind, for whom he had a
special affection. AlHazred, also known as the Mad Poet, had written a history of
the deep ...