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Let's face the music

the golden age of popular song

Recounts the lives and times of the men who created the songs from the classic American musicals, such as the Gershwins, Cole Porter, Lerner and Loewe, and Irving Berlin

Although the song came to nothing, the friendship endured to the extent that Max
passed Coward on to his publisher brother Herman, who, in his dealings with this
unknown young man, displayed a fetching combination of generosity and
dementia. Coward was always to find the business conventions of Tin Pan Alley
quaint to the brink of lunacy, and nothing more vividly exemplifies this than the
episode of his contract with Darewski: Through the influence of Max, I signed a
three-year ...